Billy
Elliot -
The Musical
Victoria Palace, London
****
‘the
stars look down on the mean and hungry, the stars look down and show
the way…’ – Lyrics by Lee Hall.
Billy Elliot,
The Musical follows the story of a young boy living in the North
East in the early 80's. Due to privatisation his family is profoundly
affected by the Miners’ Strike of 1984 and he finds solace in
a raw talent – dance. The social constraints around him however,
threaten to crush the twelve-year old’s dreams.
This tale is compelling but most of us have already seen the movie.
How does it work is a musical? Here it gets a sixty percent mark. That’s
pretty good compared to Saturday Night Fever’s ten percent
and Beauty and the Beast’s zero percent. Though the staging
sometimes relies very heavily on what would be filmic shots, such as
a two-floor elevated set which has every detail of the Elliot family’s
kitchen and Billy’s bedroom.
Sally Dexter was endearing as the uncoordinated and worn Mrs Wilkinson,
Phillip Whitchurch utterly believable as a caring father and so was
Chris Lennon as the hot-headed older brother, Tony. The star of this
particular show however is the young Colin Bates. He played Billy with
the ease of a West-End veteran. His natural talent and boundless energy
infected the audience to rise to their feet.
Set is usually very important for the stage but this show only truly
came to life when all the painted wood was taken away and there was
only this captivating dancing. The ‘Ballet Dream Sequence’
where Billy and his dream-self dance is a breathtaking piece to the
Nutcracker Suite.
The music of the show certainly makes it. All the new musical pieces
invoke the sentiment of original Andrew Llloyd Webber’s greats.
Elton John (Music) and Lee Hall (Lyrics) wrote spectacularly, songs
like ‘The Stars Look Down’, ‘Shine’, ‘Expressing
Yourself’ and ‘Electricity’ which convey the spectrum
of human emotion. These songs will soon be standards in musical theatre
repertoire.
Billy Elliot, The Musical has, in short everything needed in
a stage production in copious amounts. Stephen Daldry should be proud
of directing this masterpiece. It is a must for theatre-lovers.
by Elizabeth Amisu