Cirque De
Sabotage
Bates and Emerson featuring Catriona ‘The Ringmaster’
Knox
Underbelly @ 12:15, Aug 2-26 (not 15), (1hr), £7.50 (£6.50),
£8.50 (£7.50)
**
This
was quite a draining experience to be honest. After watching this show
I was left feeling weak, lifeless and yearning for a yard of Red Bull
to reinvigorate the life that had been sucked from me during the previous
hour.
The all female trio, comprising a double act and erm… a solo one,
put in a reasonably good effort but so many elements failed to work
that it became an endurance exercise very quickly. They seem to have
gone for a circus theme, with colourful showy costumes and sequences
of failing minimal extravaganza that link between sketches but it’s
rather embarrassing to watch.
I guess its one of those things where you have to be really good at
something in order to do it badly well. Therefore a rubbish act with
a hula-hoop, is always going to be a rubbish act with a hula-hoop regardless
of how you perform it. The one moment when the theme begins to work
is in the final hectic sequence where they throw numerous fast-paced
ideas for bizarre circus acts at the audience but by then it’s
already way too late to rescue the show.
Several sketches had good ideas at the heart of them, these ideas alone
being the elements that save this from drowning in one star misery,
but they are often misplaced, dragged out or over-egged. Similarly,
a couple of interactions with the audience had great potential but fell
far short of what they could have achieved.
Bates and Emerson make a great double act, and prove their acting ability
on a number of occasions during the show, offering wonderful subtlety.
Although one of them (I’m not sure which) has a tendency to overplay
things which only serves to weaken the efforts of the other. Catriona
Knox stands out like a sore thumb as an unwelcome and unnecessary addition
to a developing partnership and never seems to gel with the chemistry
of the other two.
It’s very likely that this show is suffering from an early time
slot, and may be better received by an audience that’s been warmed
up a bit already. On the whole though, it’s a cringe-worthy affair
that ruined me for some time.
by
Ian Phillips
The
National Student's
2007 Edinburgh Festival Fringe
coverage is supported by
